I've been thinking about density in my compositions
a lot. In particular, how do dense rhythms and
complex sound design come through on a PA system?
It's easy to get excited about a wild idea
in the studio. But will it translate well to
the audience during a performance? Will those
16th-note drum patterns sound good in a big room?
Complexity and density in a live setting can be
fine, but I also think some compositions are
better suited for headphones or at-home listening
rather than on a stage, on a PA, or in front of
an audience.
I'll be performing on the first evening, with
Sebastian Camens
on visuals.
Thrilled to be sharing the bill with these fine artists
over three days:
Carl Lostritto,
Catty Dan Zhang,
Char Stiles,
Chia Amisola,
Claire L Evans,
Codie,
crobo,
Daniel Temkin,
Deli Kuvveti,
Gábor Lázár,
Kara-Lis Coverdale,
Keith Fullerton Whitman,
Luisa Mei,
Lee Tusman,
Nathan Ho,
nnirror,
R Tyler,
Ruaridh Law,
Sebastian Camens,
Tom Hall,
tsrono,
William Fields,
Wolff Parkinson White
I deleted my Meta accounts. I don't really post anything any more, but
I feel compelled to have an outlet where I can write and share info.
I thought maybe I'd use Signal for that, but Signal isn't ubiquitous
and not everyone wants to use it. Signal is more of a direct-messaging
app anyway.
So here's a blog, and an RSS feed, that anybody can
get to.
